Where do I even start?! There was a lot of introspection going on for Jean Valjean in the last post, all of which is now translated into action. He arrives in Arras and almost surprises himself into owning up to his real identity. This is quite a moving event because Hugo writes beautifully about Valjean's despair at having to give up the position in life he's achieved. And by that is not meant the money and power as mayor, but the basic kindness and respect with which he is now treated, something completely missing from his earlier life and the life now in his future again. His return to Fantine is also a tragic one since he brings no Cosette and only comes in time to see her die. He is subsequently arrested by an angry Javert but manages to escape.
Book II, named Cosette, starts with a 10 chapter-strong description of the Battle of Waterloo, Napoleon and everyone else involved. As before, I quite enjoy Hugo's diversions because they're always at least slightly relevant and it takes you away from the above misery for a while. Not that the Battle of Waterloo comes across as a good time.
Feel of the Chapters:
As such the end of Book I is quite a tragic one. All of our major characters have seen severe ups and downs but, up until 4 or 5 chapters before the end, seemed to do quite well until it all came crashing down. But the pace and suspense is so high that it all reads a little bit like a thriller. Will Valjean reveal himself or won't he? Will Fantine live? And what will Javert do? And wait a minute, whatever happened to Cosette? There are a lot of questions which really drive the plot and reader forward. It's so much more exciting to read than to watch the film people! And there is an amazing feel of 'destiny' to the description of the Battle of Waterloo which could actually give you chills!
- Fantine's story really is a sad one and I really liked that the whole first book is dedicated to her, as such, through its name. Hugo seems to be very aware of society's pressures and the fact that he doesn't judge Fantine when he easily could've gives him brownie points in my book!
- The more I read the more annoyed I get at the musical/film. They really chose the wrong moments for Jean Valjean's character exposition. As such his beginning is hardly interesting. What makes him fascinating is his decision to once again become "bad" in the eyes of others, rather than his decision to become "good". *angrily shakes fist*
- Hugo's description of the Battle at Waterloo was stunning. He manages to hit a balance between joking about the whole thing, making the reader feel the intensity of the fighting and describing Napoleon in a way that makes him feel very close.
- I love how Hugo is setting up the contrast between Valjean and Javert, and how he gives us glimpses at each of their mindsets in any given confrontation. He makes it feel like you're there and as if two powers truly are meeting.
Of course I was going to pick the Battle of Waterloo this week. As if I could avoid it, with half of this week's reading dedicated to it! The Battle of Waterloo was fought on the 18th of June, 1815 near Waterloo which is now in Belgium but was then part of the United Kingdom of the Netherlands. This battle isn't just remembered for a great ABBA song but also for being the battle in which Napoleon was finally defeated by a Anglo-allied and a Prussian army. Until the First World War the Battle of Waterloo was seen as the decisive moment that changed European History. It also ushered in a period of relative peace and quiet in Europe.
'The peculiarity of sublime spectacles is, that they capture all souls and turn witnesses into spectators.'
This quote appears at the moment when Jean Valjean tells a court who he really is. It's described in such a way that it truly does become a spectacle, almost in the way that martyrs do. You can't help but be captured by the sight before you of someone sacrificing themselves for someone else, but there is also something horrible to it.
'These narrations seemed to belong to another ago. Something parallel to this vision appeared, no doubt, in the ancient Orphic epics, which told of the centaurs, the old philanthropes, those Titans with human heads and equestrian chests who scaled Olympus at a gallop, horrible, invulnerable, sublime - gods and beasts.'
I'm sure you can guess that this is a description of the Battle of Waterloo. Maybe now you get why I love Hugo's account of it so much. He lifts this battle out of its stuffy, historic confines and makes it something vivid and heroic.