Pub. Date: 1/10/2019
Publisher: Penguin Random House, Del Rey, Ebury Press
One girl can make a difference...
Moscow is in flames, leaving its people searching for answers – and someone to blame. Vasilisa, a girl with extraordinary gifts, must flee for her life, pursued by those who blame their misfortune on her magic.
Then a vengeful demon returns, stronger than ever. Determined to engulf the world in chaos, he finds allies among men and spirits. Mankind and magical creatures alike find their fates resting on Vasya's shoulders.
But she may not be able to save them all.I don’t know if I made my love for the Winternight trilogy clear enough. This trilogy is a part of the fairy tale/Russian folklore revival that has swept through the bookstores lately and it is a definite standout for me. Although I’ve adored Deathless by Catherynne M. Valente and the Shadow and Bone trilogy by Leigh Bardugo, none of them hit home the way Winternight did. Throughout her three books, Katherine Arden took a genuine passion for storytelling and Russian folklore and turned it into something that is both original and an homage. The whole story rests on the shoulders of Vasya, Arden’s brilliant main character, as she takes on the expectations of both the fantastical and the human world. Throughout all three books, Vasya continues to come into her own while encountering both magic and religion, cruelty and love, and freedom and imprisonment. I love the fantastical and I always have, so as I found myself waiting for the next installment that is what I expected myself to miss. But instead of hungering for more on the domovoi or magical horses, my mind kept returning to Vasya and her journey. I think it impressive that despite all the spectacle of the Winternight trilogy, Arden’s main character remains as central as she does, not once overwhelmed by her own narrative.
I’m just going to keep talking about Vasya as I review The Winter of the Witch, I think. The novel picks up almost exactly where The Girl in the Tower left off, with Moscow saved but burning. The end of The Girl in the Tower was both a victory and a loss for Vasya, and it is in this confusion that we find her. The first few chapters of this novel are intense, as Vasya faces an angry mob out for her blood. When I say intense, I mean intense. Arden does not sugarcoat the violence of mobs nor the damage of their fired up fear. Neither does she forget about it once the book passes. Much of The Winter of the Witch is dedicated to Vasya trying to overcome her trauma by taking one step after the other, facing her own fears and remembering why she does what she does. In the end, she has to find an answer to the question of who is good and who is bad. The answer Arden, through Vasya, gives us surprised me initially until I realized how true it is. In The Winter of the Witch Vasya comes into her own, with all the good and evil that entails. It is a whirlwind of a book that not only brings together all the different story threads Arden so carefully arranged in the last two books, but that also brings us to a crucial point in Russian history, the Battle of Kulikovo. Vasya’s path is on a collision course with fate and throughout she remains as resilient and loveable as a witch can be.
So what is there left for me to say about Katherine Arden and her writing in The Winter of the Witch. I really think I might have said all of this before but here we go. I adored the way she writes about the Russian landscape and how her love for folklore comes through in how she describes it. I was impressed that she didn’t shy away from the ugly, but also didn’t let it outshine the beautiful. I raved about the way Arden continues to mix history and fantasy together in her narrative in my review of the first book. I’m sure I managed to work it into my review for the second book as well but here we are, the third and final book and I’m still not over it. It’s hard to strike a good balance in Historical Fiction between the historical and the fiction, let alone if you actively mix in fantasy and folk lore. It has never felt disingenuous though in the Winternight trilogy. Neither the history nor the fantasy is crammed into the narrative by force. The strict gender laws of 14th century Russia are present and accounted for, but so is the magic that flows through its country side. The only criticism I have for this book is that as Vasya travels through Rus, the timeline of the novel gets a bit confused here or there. Partly this is on purpose, I believe, and partly I can’t talk about it because spoilers. So this is all you’re going to get from me when it comes to negative things.
All in all I simply can’t end this review with saying just how much I adored The Winter of the Witch. Much of the above words are dedicated to the trilogy as a whole, but The Winter of the Witch is full of highs and lows, moments of exploration and adventure, but also moments of loss and bitterness. We truly get the full range of human emotions here and that is what has made all three books so masterful. I’m going to miss waiting for the next Winternight book to come out.
I give this novel...
If you’re a fan of either Fantasy novels, Historical Fiction or just good writing, please check out The Winter of the Witch. But not until after you’ve read the other two books of the Winternight trilogy. Truly, do yourself a favour, love yourself in 2019 and get started on these books. Also, someone tell me what Katherine Arden is writing next because I can only wait so long.