Review: 'Three Eight One' by Aliya Whiteley

Aside from the Classics, your Austens, Brontës, and Tolkiens, there aren't a whole lot of authors whose name immediately has me pulling out my wallet, or Kindle. Aliya Whiteley became one for me over the last decade or so, however, as each new novel, novella, or short story from her would open up new worlds and new ways of storytelling for me. So naturally, I was excited to see what she had in store for me next, after the Sci-Fi/Speculative wonder that was Skyward Inn. I was not prepared for Three Eight One, however. Thanks to Rebellion and NetGalley for providing me with a copy of this book in exchange for an honest review.

Pub. Date: 1/16/2024
Publisher: Rebellion; Solaris

An astonishing literary crossover novel about the pressures of growing up and the nature of authorship.

In January 2314, Rowena Savalas – a curator of the vast archive of the twenty-first century’s primitive internet – stumbles upon a story posted in the summer of 2024. She’s quickly drawn into the mystery of the text: Is it autobiography, fantasy or fraud? What’s the significance of the recurring number 381?

In the story, the protagonist Fairly walks the Horned Road – a quest undertaken by youngsters in her village when they come of age. She is followed by the “breathing man,” a looming presence, dogging her heels every step of the way. Everything she was taught about her world is overturned.

Following Fairly’s quest, Rowena comes to question her own choices, and a predictable life of curation becomes one of exploration, adventure and love. As both women’s stories draw to a close, she realises it doesn’t matter whether the story is true or not: as with the quest itself, it’s the journey that matters.

I'm a Medievalist, which means that when I'm not getting lost in the maze of admin, I'm exploring the intricacies of texts that are centuries old. Some are even a millennium old. While I immensely enjoy this activity, it also poses a whole variety of problems. Often medieval texts are artifacts without context. They usually don't have a title, we give one to them so we can talk about them. They don't have a named author, they don't have dates attached, they are collected alongside other texts which may or may not relate to them. They are often in formats, rhyme schemes, etc. which we cannot entirely define or explain. They tell stories, but not in a way that we're used to in the twenty-first century. Reading Three Eight One reminded me of reading medieval texts, pouring over them for meaning, attaching little footnotes or post-it notes to random pages and phrases with questions, exclamations, personal connections. Medieval characterisation, without going into an entire essay, often feels flat to first-time readers. We don't get the same deep-dive into the internal lives of the characters, their motivations remain opaque, their actions seem to follow a prepared path that they do not resist or chase. This is what 'The Dance of the Horned Road' represents to our main character as well, I think. A text that somehow connects and which yet is so drastically different from what she knows. This story must have meant something then, so surely it can mean something now? Even if the answer to that question is yes, we still wonder what it could mean. If you enjoy these puzzles, if you enjoy encountering narration which shifts and changes without giving you an explanation, you'll adore Three Eight One.

Rowena, from the distance of hundreds of years, combs through the vast remains of the twenty-first century, known as the 'Age of Riches', looking for meaning. In her present, life works differently, humanity works differently. There is less danger, violence, and war, sure, but is there also less... well, life? Is she as free as humans of the past were in choosing her future? As she mulls over these questions, needing to make a choice about where to take her life, she decides to annotate a story from the twenty-first century, 'The Dance of the Horned Road', which tells the story of Fairly and her quest. In Fairly's village, every teenager who feels called can set out on a quest, following the Horned Road. They are given three "cha" and must press specific button they come across on their journey. By the end, she will be different, or so Fairly is told. But what is the Horned Road, who are the Cha, and who is the Breathing Man following her? Is there a point to her journey, or to Rowena's? What is 'The Dance of the Horned Road'? 

Like I said above, Aliya Whiteley has been a favourite author of mine for quite a number of years now. Each time I pick up a new book by her, I am surprised at the directions she takes me in, the questions she poses, the themes she plays with. What I enjoy about her writing and the worlds she creates is that they usually require the reader to dig a little deeper into themselves as well, into their own response to the story. It creates a quite layered reading experience, in many ways, which is brought to the surface in Three Eight One. It is, perhaps, her least penetrable work, in the sense that the search for meaning is so elemental to the story that you will truly have to find it for yourself. Neither Whiteley, nor Rowena and Fairly, will fully make sense of what occurs in the novel. There is no clear answer as to why all of 'The Dance of the Horned Road' is written in chapters of 381 words. It can all mean something, however, and putting that together is something each reader will have to do for themselves. It's a puzzle without a previously-defined picture to aim for, if that makes sense. In this way Three Eight One might not be for everyone, which is absolutely fine. But I can only say that it does reward to time and effort. Unlike other reviewers, I had no issue with the footnotes, but then I do adore a good footnote. I liked the way in which these interruptions of Fairly's narrative both engaged directly with it and did not. Rowena's life takes its own turns, which can only partially be mapped onto the organised Hero's Journey Fairly is undertaking. And yet, together, the two stories tell a tale of humanity, of questioning, of losing, of finding, and of journeying.

I give this novel...

4 Universes!

Three Eight One is a fascinatingly complex novel about storytelling, growing up, finding meaning, and then losing it again. It is a novel that will reward rereading, I am sure, and is another impressive piece of work from Aliya Whiteley.